What Makes a Good Portfolio? The 2012 Guide to the Portfolio.
This is a special edition for all you soon to be graduates. But, most of what is here applies to anyone with or without a portfolio. And while these are rules, remember, rules can be broken. This is more of a guide and really, you can overthink this stuff too. Comforting I know.
Some of these rules apply to physical books and others specifically to on-line. You can figure out which is which.
Make it about the work. The idea here is to not make it about the case or box your work is in. Give the case the attention it deserves, make it nice, but don’t go overboard. A vintage suitcase filled with a poor portfolio? Only the suitcase is remembered.
Only show work you like. Hopefully, this is also your best work. Don’t show work you don’t like unless it tells a successful story. The project you had to crank on all night because of a late change-order and the client loved it. In general, if you don’t like the work, or it was not successful, why are you showing it?
Show the thought that went into the work. Concepts are good. Sketches are great. People love to see how you think.
Not too much, not too little. The whole presentation should last about 30 minutes. Don’t show too much work and don’t show too little. Multiple pieces in a campaign count as one piece. It’s good to have 12-15 pieces. If you are just graduating and you are worried that you don’t have this much, try to get to 10. Fewer than 10 is too little. One way to increase the number if you are coming out of school….have friends and family “assign” you projects. Don’t do it yourself. You may pick stuff that is too easy. Try to freelance too to get portfolio pieces.
Show variety. Show that your creative mind is nimble. Don’t focus on one industry. Don’t show just one style.
Start with a bang and end with a bang. Put great work first and last. Don’t show work chronologically.
What about my photography of kittens? Hmmm….maybe not. Work that is not relevant to the jobs you are interviewing for can be great if it paints a bigger picture of who you are and the breadth of your creativity. It can also detract and backfire. Think about it. If it’s really a strong part of what makes you, your brand, go for it.
Make it easy. Realize you may not be present to walk someone through your work. Provide descriptors as to the project, the creative brief, and some words around your execution. The viewer needs to understand why you did what you did without you telling them.
Be organized. Don’t end the presentation with 15 pieces spread over a table unless you are just that crazy throwing stuff around.
Make a nice user experience. Don’t make the viewer look too hard to find the work on your site. It should be easy to access, easy to view.
Never make the viewer work too hard. They just may not do it.
If you have a freelance business, but are also looking for a job, you need to make it clear which is which. Don’t point someone to a website that comes across like an agency site if it’s just you. You may need to change things a bit. I’m Bob who runs Bob Design; I’m not Bob Design per se right now, because Bob wants a job. Get it?
Make your portfolio part of a presentation. How you show the work can be as important as the work. If you can’t speak to why you did what you did, or what problem it solved, why did you do it? Practice your presentation. You are also viewed on how you present as you may be presenting your employer’s work some day to a potential client.
Breathe. Do your best. Try to leave every meeting comfortable that you did the best you could.
…thanks for Jeremy Pair, two more points…
Give credit. Make sure you indicate your role in the project, and give credit to others when due. Believe it or not, I have seen the same piece in multiple portfolios with each person taking credit. Someone is not telling the truth!
And, indicate what is a student piece and what is not where applicable.
Enjoy!
Are women better employers than men?
I approach a lot of agency principals to discuss their approach to their company cultures, personnel and the benefits of sound talent management policies on their staffs and their businesses. I ask questions like, “does your staff have clear expectations in their roles and do you provide on –going performance management and development to help them achieve those goals? “Are their goals in alignment with your business goals?” A get a lot of blank stares, nods to let me know they realize I’ve stopped talking and a lot of “oh yeah, we do that” responses when in reality I know they don’t do that. Many of these responses, or similar ones, come from men.
But I started to notice something interesting when I brought up the same questions with female agency principals. A lot of them said that they do in fact have performance management systems, that they have someone on staff who guides and nurtures their staff and the culture of the agency, or they have consulted with someone like me in the past. They tell me they talk about this stuff internally all the time. That it’s a big part of their business.
Do women get the concept of culture and sound talent management driving business success better than men? Are women more in tune to the needs of their employees? Is their inherent nurturing behavior creating more nurturing places to work? As a guy I understand the typical responses of male business owners. “they’re lucky they get a paycheck.” “I pay them for their work, and pay them well. What more do they need?” Men aren’t always as interested in the “soft” sides of their business. Bad mistake.
Employees want to feel like they are taken care of. That they are appreciated. Women might naturally do this better than men. Of course, I’ve seen women who were terrible managers and those who don’t pay much attention to the happiness of their employees. And I’ve seen men who were great at people skills, and great at supporting and empowering employees to succeed through sound management and growth. Some of them are clients and they get it.
It just seems to me in my current travels that I’ve seen more agencies run by women that had a better handle on their people issues than agencies run by men. Sorry guys, you’ve got some work to do.
We own that post. Employers and social media.
Oh boy this is gonna be a good one! ‘Cause no one knows what they are doing!
Social media kind of just went splat on our windows and everyone is trying to figure out what to do with it. It gets really complicated when you mix employers with employees and a level of communication that makes things really transparent. And social media negatively or positively affects your personal brand and your company brand. And you have little control over certain aspects of social media. Uh oh.
So what to do?
Employers listen up. You need to establish social media guidelines as company policy. Think common sense. Don’t think George Orwell. I’ve seen some really heavy-handed policies and some really unrealistic expectations of your employees.
It’s OK to tell employees they cannot trash the company, clients, staff, etc. on social media. You have your business to protect and are allowed to do it. No divulging of trade secrets and any confidential information. Be respectful. Be judicious. Common sense stuff. Fine.
It’s not OK to dictate to them what they can post unless it has to do with your company. For example, an employee’s LinkedIn profile is their profile. Don’t tell them what to put on their profile about your company. You can provide suggestions, or marketing-speak to help them represent you well, but they own their profile. They don’t have to do what you say. It’s about them, not you. Unless of course, they are managing your Company’s page or a Group if you have one. Then they are acting as an agent of your firm on social media and you can have more control over that. Telling employees that they have to follow a company-crafted description of the company in their profile is heavy-handed and not fair.
Facebook. Don’t go there. Unless it’s your company’s FB page. Do not friend your employees. Or if you do, don’t follow their feeds. This may sound harsh, but think about it. You see a post from an employee to another employee that seems inappropriate. Maybe harassment. What do you do? You can’t ignore it. You have to address it as if it happened in the office right in front of you. It is best to not expose yourself to this stuff in the first place. Not acting could mean that you condone the behavior.
Is the mobile device that your employee uses for personal social media something you provided them in their job? If so, you own the messages sent through that device. Their work computer is an obvious but people don’t always think of their mobile devices as company property. Twitter posts and Facebook posts done through those devices are under stricter rules than messages sent on personal computers. Hmmm, that poses some issues for both the employer and the….
Employee. Next up: How employees should manage their social media profiles and posts as it relates to their professional brand and their job.
Peddling People
One of my favorite movies is Soylent Green. Not because it’s a great movie, but because it’s a great concept and of course, Charlton Heston is classic. No one else could yell like he could. Soylent Green is people!
Which brings me to a common practice in the staffing industry but one I have always found distasteful: The marketing of people.
For a lot of staffing companies, their product is the talent they represent. Their product is people. And to let the market know they have the best people, they market them and their skills usually through blanket e-mails and marketing materials to clients and prospect clients.
Meet “Mark”. “Mark” is a skilled web developer with great digital agency experience. He’s ready to work for your great digital agency. He has experience in HTML, CSS, has worked on big budget sites….he’s available now. Schedule a meeting soon!
I don’t know. Makes me feel like “Mark” is a product/package on a shelf. Where is the nuance of finding the best fit? Just because “Mark” has great skills and great experience does not mean he can just be slotted into roles and companies to do his thing and all will be great.
There is more to making a match than matching a resume and a job description. A lot more. Like looking into cultural fit. And looking into organizational/structural fit. And asking, “can I see “Mark” being happy working for this company?”
Besides, I’m pretty sure “Mark” is a real person with real feelings on where he wants to work. And does “Mark” really want to be “shopped” around town to the highest bidder?
On many levels I have never agreed with this staffing industry practice of marketing people. If you meet someone whom you think would work great for one of your clients, or vice versa, that’s different. You might help someone find a great job or a company make a strategic hire. But just sending faceless campaigns? Just peddling people?
Something does not taste right about it. Now, soylent green? That might taste good.
Gimme Some Closure
John Lennon once sang…. All I want is the truth now
Just gimme some truth now
All I want is the truth
Just gimme some truth
What I hear from most job seekers is gimme some closure.
The number one complaint candidates for jobs relate to me is that they never hear back from the companies where they interviewed. Had interviews, never heard anything. Sent my resume, never heard anything.
For employers, here is why you should acknowledge people who send resumes and call back people who have interviewed but you did not hire: people talk.
And they are talking in new ways. According to Fast Company, not only are they talking, they are taking it to social media.
But, the reasons to reply to people are not to only protect your brand and your reputation. For one, it’s the right thing to do. Second, while the candidate may not be right for your current opening, they may be right in the future for something else with your organization. And, this is not only your brand; this is your recruitment brand. People talk and their network has heard that you, as an employer, do not treat job candidates with respect.
That network may include people you may want to hire. The candidate you did not call back may be a friend to the candidate you do want to hire. Think of the message you are giving both.
Your brand is damaged. Your ability to hire is damaged.
Do they right thing.
Give some closure.
Resume Guide 2011 – Creative Industry Edition
The golden rule – you cannot change who you are or what your experience is. But you can change how you present your background.
The resume serves one purpose – to get you the meeting/interview. Don’t do anything on the resume to hurt this.
Do not misspell anything. Use proper grammar. Have someone else proofread.
Use a pleasing layout. White space counts.
No Times New Roman. No MS Word template.
Do not over design. An identity is fine, a logo mark is fine. Graphical elements and an overuse of color are not.
Have a professional e-mail address.
Do not send your resume from your current employer’s e-mail. Do not communicate with a prospective employer using your current employer’s e-mail.
If your cell phone is listed, don’t answer your cell phone with “yo, what’s up?” “Who is this?” or other ways that sound unprofessional.
If you are at least two years out of school, educational information can move to the bottom.
There are three kinds of resumes: chronological, functional, and a blend of the two.
You should expect a resume to be reviewed in 30 seconds. Get your point across quickly and clearly.
Never more than two pages. Never.
Be honest.
Use action verbs but avoid buzzwords. “Think outside of the box” was never a good phrase.
Highlight accomplishments.
Never, ever make the reviewer work too hard to find out who you are and what you’ve done. It’s not their job to figure out who you are. It’s your job to communicate it clearly.
Your interests are your interests. Be careful what you list if you list them.
Don’t hype or exaggerate.
If you are a designer, also have a “snapshot” PDF portfolio to send as well. Don’t include your whole book. Leave them wanting more.
Write a good cover letter.
If you use humor, use it sparingly and smartly. Make sure you’re funny.
Package and market yourself with the same attention that you do your clients.
Recruitment Branding – The Smart Way to Hire
The basics of Recruitment Branding
Reading a recent eye-opening article in Ad Age: Left to Fend for Themselves, Employees Feel No Loyalty to Agencies.
I was reminded that agencies still don’t understand the power of their own staff, and why they should closely manage and grow this asset. It reminded me that I should dust off a whitepaper I wrote on recruitment branding. Recruitment branding is a misnomer; it’s really about retention. Smart agencies know that talent wins the game and they work hard to attract and retain employees. Retention is really the best recruiting strategy. But to grow, you need to attract. When I managed culture and HR for an agency, we had a reputation as one of the best agencies to work for in town. We had people pounding down our doors to work for us. That is the goal in the war for talent and the result of sound recruitment branding.
Benefits of an effective recruitment brand (as listed by idealpeople ltd.)
- Motivates ‘target’ candidates to choose you as an employer
When you are “chosen” you are positioned well in salary negotiations. You do not have to throw money at people to join your organization. They want to join already.
- Promotes strong external Public Relations through ‘word of mouth’.
- Allows for greater consistency of message when ‘selling’ to applicants during the hiring process.
- Enables external recruiters to accurately explain your mission, culture, ethics and goals to potential candidates without direct experience of having worked as an employee of the business.
- Strengthens internal philosophy in what teams of individuals are trying to achieve as a whole and improves retention.
As your recruitment brand is strengthened and you begin to successfully attract the best and most talented candidates, you evolve into an Employer of Choice.
The rules of recruitment branding:
- Know your company’s compelling story – why should someone want to work for you? The compelling story also becomes part of the culture.
- Know what former employees say about your company – make sure you conduct honest, exploratory exit interviews.
- Realize hiring is a 2-way street – have open dialogue during the interview process. It’s not just about you the employer.
- Don’t have a candidate be grilled by potential future peers in a group interview. The peer interview should only support the hiring managers and company executive interviews…the decision makers.
- Respond to every applicant that contacts you.
- Personally call anyone who has interviewed that did not get hired.
- Hire attitude over skill if possible. Skills can be learned, attitude is ingrained.
- Realize your brand starts before they send their resume.
- Have a hiring process and stick to it. “Post job” is not a process.
- Be honest.
- On boarding does not mean filling out paperwork. Be prepared and ready for someone to start his or her first day. Have a plan for them. Welcome them.
- Have growth plans in place for the whole organization. These are “living” documents that constantly change but establish this structure early.
- Understand that people will leave your company. This can be a positive thing. But will they come back if you want them to?
- Keep a pool of future hires that fit your company culture and have the right attitude. Realize that sometimes the candidate may be right for your company but the timing or current opportunity is wrong. Be able to find this candidate in the future by staying engaged with them.
Recruitment branding takes work and it takes ownership. It could be one reason why so many agencies don’t pay attention to it. But putting the process in place and instilling it into the way you conduct business will change your recruiting cycles and make you more nimble and successful in growth.
The world’s first creative staffing supergroup
My firm, POTESTIO, has merged its talent management/HR and recruiting business with Jackie Mathys Creative Staffing to form Mathys+Potestio. Combined, we have over 30 years of experience placing creative talent. Read the rest of this entry »
Do what I did. And other ways to not get a job.
I wanted to be a graphic designer since I was about 13 when I redesigned a poster for the movie Live and Let Die. It was cool. Had an alligator. Through high school I would crank tunes in my room and redesign logos for every band I listened to.
Once in college I began pursuing a career in advertising, wanting to be an art director or copywriter. I was going to be a star. That’s what all the professors told me. “You’re going to have a great career in advertising” they said.
So what did I do to make it happen? Nothing.
I partied. I fell asleep in class. Oh I did my work and got good grades but that was it. I assumed I would have a career. I didn’t have internships, had no summer jobs in the industry. Did not go on informational interviews. Didn’t do any networking.
Nope. I drank beer, played basketball and did not worry about my career. Ooops.
So when I graduated I shopped my advertising portfolio around town and…got a job as a busboy. Parents were really proud. It took me nine months to finally break into the advertising business. Six years into my career I quit a job without another lined up. But I had not planned. I had no network and few job prospects. I pounded the pavement for months (yes….the old way by actually walking) and finally landed another ad agency role.
From my job search as a graduate and as an unemployed professional, I learned a thing or two about finding work.
After 7 years I became disenchanted with the ad business. I left and morphed into recruiting and staffing. I had empathy for job seekers based on my history. I could also teach from my experiences. I knew what to do and what not to do to find a job.
If you are in school still, don’t do what I did. Get an internship. Network. Engage with the school and your professors. Plan ahead.
Today it’s a challenging job market for many skill sets. But still everyday I see good candidates doing bad things. Things that do not help them get a job.
Take note.
-If I can’t find you, I can’t hire you. Do not name your resume file “resume”. Add your phone number to your e-mail signature. If I am on the run and need to pull up an e-mail to call you, I need your phone number.
-Send thank you notes or e-mails. It’s a lost art. It shouldn’t be. Graciousness never goes out of style.
-Showing up for an interview without doing your homework. If you don’t care enough to find out about the company and role, why should the company care to find out about you?
-Realize hiring is a two-way street. It’s not the hiring company’s job to figure out why they should hire you. It’s your job to present your case in the best way possible. And be prepared to interview the company. You may be showing up to work there everyday. There must be something you want to know about it.
-Package yourself in a clear and consistent manner. Brand yourself. Know who you are. Understand your strengths and your weaknesses. Be honest and realistic.
-Don’t be too timid and don’t be too obnoxious when pursuing opportunities. It’s a balance. Be confident. Hold your head up.
-Market yourself. Look for opportunities and look for jobs. Jobs exist. Opportunities are created.
-Constantly evolve. Don’t get tired. Don’t lose your edge. Stay relevant.
-The old adage is true. Finding a job is a job. Work at it every day. And if you do, give yourself a break. Don’t be too hard on yourself.
Drink a beer. Go play basketball.
But then get back to work.
The salary question sucks
How much do you need to make?
Um, how much does the position pay?
Both employers and employees often handle the salary question miserably. It’s like when you were a kid playing doctor. I’ll show you mine if you show me yours. No, that never happened with me.
Employers want to know if they can afford the candidate, or worse, if they are used to making little money, maybe we can lower our costs by paying less. Candidates want to make as much as they can, and don’t want to undersell themselves. They may have been woefully underpaid at their last job and don’t want to continue to pay for it. I get it.
Recruiters/Headhunters help navigate this because we know the facts from both sides and can align accordingly with no surprises.
But, without this help, employers and candidates are on their own. And they usually make the salary question uncomfortable, and ultimately a larger part of the hiring equation than it should be or needs to be.
Here is the solution. Operate in facts only. And operate in the range of reality.
For employers, this means asking for a salary history. If the history is scattered, you can inquire further but use the information to make sure you keep your organizational salary ranges intact, but also to make competitive offers.
For the candidate, just tell them the history and don’t dance around the question. If you get an offer you don’t like, negotiate, or turn it down. If you tell a prospective employer your salary history, and they offer you a salary lower than what you typically make without a proper reason, why would you want to work for them anyway? They don’t respect your experience.
Be realistic. Meaning, if you have made 10-15% increases through your career as your responsibilities have progressed, don’t expect a 30% jump unless the role and responsibility truly warrants it. You may be expecting too much money.
As an employer, I always want to know what candidates I am interviewing have earned historically. Why? One, I can find out from your past employers so you might as well just tell me. But, more importantly, it paints a picture of the person’s career. It lends insight into what motivates them. If they are only motivated by money, and that is the main reason they moved from one job to the next, I may not want to hire them. They may just leave when a higher offer comes. I want the salary to be a part of the bigger picture.
I use that historical information to make a competitive offer, and pay them in the salary range of the position, regardless of whether they are outside of the range. I may go higher, but I won’t go lower. It would not be fair, and I would be screwing up my organizational compensation structure.
Plus, if my organization has done its job building culture, the salary conversation is pretty easy.
Take the awkwardness out of the interview. Deal with facts. Play fair. Negotiate in a way that makes both sides happy.